By considering mobility as a dense, elastic concept and adopting a humanistic perspective, I delineate a set of map mobilities emerging from the existing literature. A mobility and humanities approach helps us move beyond the factual consideration of maps as mobile navigational devices that are used to move from one location to another. In conclusion, I consider the pros and cons that an aesthetic encounter with mapping gives to geography and to its creative transformation.Īt a time characterized by the pervasive presence of – and enthusiasm for – maps in everyday life, interest in the cartographic humanities is growing among map scholars who approach cartography through a cultural lens. This way, multiple insights to art maps' visuality, materiality and perception of space are given. Each notion often entails a distinctive practice of seeing (that is, observing and interpreting) and sensing (namely, feeling and materially experiencing) artistic mapping and data-which, woven together, may explicitly refer to what I term the practice of "seensing". Inspired by the engagement, particularly of women artists, with cartography, I discuss the artistic exploration of mapping through various interpretative categories such as "spatial (de)generation", "temporal proximity", "ecologism" and "dataism/datactivism". Art theories and practices consistently involve, as an effect of the spatial turn, cartographic textures and grammars by differently highlighting the manifold functions, mediations and materializations of maps. ![]() ![]() This kaleidoscopic approach demonstrates a rich plethora of ways for understanding the temporal modes of digital mapping and the interdisciplinary background of the authors allows multiple positions to be developed and contrasted.ĭrawing attention to the "extroversion" of geographic language, in this paper I explore the proliferation of mapping and its spatial fragments outside geography and, specifically, in the fabric of contemporary art. Authors from different disciplinary positions consider how a temporal lens might focus attention on different aspects of digital mapping. Cases discussed range from locative art projects, OpenStreetMap mapping parties, sensory mapping, Google Street View, to visual mapping, smart city dashboards and crisis mapping. Each addresses a different type of digital mapping practice and analyses it in relation to temporality. The book consists of twelve chapters from experts in the field. This collection examines how these processes are impacted by digital cartographic technologies that, arguably, have disrupted our understanding of time as much as they have provided coherence. Maps often seek to ‘freeze’ and ‘fix’ the world, looking to represent, document or capture dynamic phenomena. This collection brings time back into the map, taking up Doreen Massey's critical concern for 'ongoing stories' in the world it asks how mapping enrols time into these narratives. Novel objects, forms, processes and approaches have emerged and pose new, pressing questions about the temporality of digital maps and contemporary mapping practices: in spite of its implicit spatiality, digital mapping is strongly grounded in time. The digital era has brought about huge transformations in the map itself, which to date have been largely conceptualised in spatial terms.
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